Play Along Piano

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Baroque

Petite Priere

Christopher Constance

0:55	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		8	0	0	3	100%
Alto		8	0	0	3	96%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		8	0	0	3	100%
Alto		8	0	0	3	96%
Tenor		9	0	0	3	92%
Bass		6	0	0	2	79%

Rule Britannia by Thomas Augustine Arne

ChurchOrganist

1:12	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo		14	0	4	4	100%
Bassoon		18	0	5	4	92%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo		14	0	4	4	100%
Bassoon		18	0	5	4	92%
Violins 1		16	0	5	7	79%
Violins 2		16	0	6	5	75%
Timpani		2	0	0	6	71%
Trumpets 1 amp; 2		11	0	1	7	69%
Oboe 1 Oboe 2		11	0	4	7	48%
		11	0	4	6	58%
Violas		11	0	3	5	58%
Alfred		10	0	3	7	52%
Alto		6	0	1	7	20%
Bass		6	0	2	7	20%
Soprano		7	0	2	6	20%
Tenor		5	0	1	7	20%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		12	13	3	5	100%
		12	10	2	5	92%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		12	13	3	5	100%
		12	10	2	5	92%
Organ		12	13	3	5	100%
		12	10	2	5	92%
Soprano		8	1	1	5	77%
Bassoon		9	0	0	5	75%
		9	0	0	5	75%
Celli		7	0	0	5	75%
Kontrebaß		7	0	0	5	75%
Tenor		8	0	3	5	70%
Bass		9	0	0	5	67%
Viole		3	0	0	5	67%
Violini		12	0	2	5	67%
Oboe		9	0	2	5	55%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
Violoncello Continuo		17	2	1	3	86%
Violins		15	0	2	8	73%
Rodelinda		13	0	3	5	68%
Contrabasses		14	0	0	3	60%
Violincello Continuo		14	0	0	3	60%
Violas		13	0	2	5	55%
Bassoon Continuo		14	0	0	3	15%
Oboe		10	0	0	6	14%

Puer natus in Bethlehem à 8 - Michael Altenburg

wooddm

2:14	Est. Play Time
116	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		8	0	1	5	88%
		10	0	2	5	86%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		8	0	1	5	88%
		10	0	2	5	86%
Alto		7	0	2	5	82%
		8	0	1	5	76%
Baritone		11	0	1	4	82%
Tenor		8	0	1	5	76%
		11	0	1	5	76%
Bass		12	0	0	5	76%

HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"

edward.maurath

3:55	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		23	74	5	7	100%
		17	19	2	4	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		23	74	5	7	100%
		17	19	2	4	100%
Violoncello Continuo		16	0	2	4	100%
Bertarido		13	0	2	6	76%
Vln 1		14	0	0	7	57%
Contrabass Continuo		11	0	0	4	53%
Viola		10	0	0	4	47%
Vln 2		11	0	0	5	47%

Mushroom Fanfare

Cameron Carter

0:45	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	2	7	100%
		17	0	0	6	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	2	7	100%
		17	0	0	6	67%

Walking Baroque | SatShort No. 9

Saturday Shorts II

0:52	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	1	0	4	100%
		11	7	0	2	55%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	1	0	4	100%
		11	7	0	2	55%

HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)

edward.maurath

1:54	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	44	5	4	100%
		16	0	2	5	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		20	44	5	4	100%
		16	0	2	5	100%
Cello		15	0	2	5	100%
Almirena		12	0	3	6	81%
Bass		10	0	0	5	71%
Viola		10	0	1	5	71%
Violin I		10	0	1	5	71%
Violin II		9	0	1	5	71%
Violoncellos		10	0	0	5	71%

String Quartet No. 1 - 2nd Movement - Adagio

Billytheperson1523

0:36	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I		13	1	0	4	100%
Violin II		12	1	0	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I		13	1	0	4	100%
Violin II		12	1	0	4	100%
Viola		14	0	0	5	70%
Violoncello		16	0	0	4	60%

Walking Baroque | SatShort No. 9

Blank Cadenza

0:52	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	1	0	4	100%
		11	7	0	2	55%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	1	0	4	100%
		11	7	0	2	55%

Handel: Number 6, "Gloria Patri" from "Nisi Dominus," HWV 238

edward.maurath

3:45	Est. Play Time
56	Measures
	1,423Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	88%
		11	0	2	7	91%
View all 22 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	88%
		11	0	2	7	91%
Soprano		14	0	2	7	89%
		14	0	2	7	80%
Tenor		12	0	1	7	79%
		13	0	1	7	88%
Organ		19	32	3	7	87%
Organ		19	19	2	7	84%
Violin 2		12	0	2	6	75%
		16	0	2	7	84%
Continuo		16	0	1	7	77%
		19	0	2	7	81%
Cello Continuo		15	0	1	7	75%
		17	0	2	7	80%
Violone Continuo		15	0	1	7	75%
		17	0	2	7	80%
Violin 1		17	0	3	7	80%
		13	0	2	7	68%
Viola		16	0	1	7	79%
		12	0	1	7	70%
Bass		13	0	0	7	68%
		15	0	2	6	73%

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